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White was commissioned by Dumbarton in the Fall of 2011 to set The Raven.Catherine Payling, administrator for Dumbarton Concerts, wanted to reprise the work, Poe. Lyric Fest was invited to partner in the project and decided to feature song settings of Poe’s poetical works but also include an actor to read from Poe’s well known stories.

Says founding artistic director Suzanne DuPlantis, “Not only was this an opportunity to take Lyric Fest to Washington, but also a great opportunity to create a rich, multi­layered, musical and literary happening, just the kind of thing we like to do. We’ll be premiering two new settings of Poe, one of which we commissioned and premiering this latest version of The Raven, as well.”

For White there were challenges setting the original piece, The Raven.

“How does one set such a long poem that dwells on sadness, despair, longing and gloom throughout its eighteen verses,” said White. “It was not long before I was thinking along the lines of a very presentational, theatrically inspired piece, most definitely divided into several movements. And thus this cantata in eight movements was born.”

White notes that this new all­-Poe focus of this program adds a new dimension. He has added a fifth voice and with Laura Ward at the piano he is able to step out front and conduct.

Said White, “It will create a different focus for me and hopefully improve the precision of the performance. I’m very excited about that. I should also mention I wrote a setting of Poe’s A Dream that Roger Isaacs will sing to function as prologue.”

Both performances feature singers Emily Noël, Roger Isaacs, James Reese, Steven Combs, and Suzanne DuPlantis with pianist Laura Ward, conductor Nicholas White, and narrator Duncan Wu. Three of the singers were in the first version premiere, all but James Reese, which features a vocal quartet that uses countertenor instead of mezzo.